“I have a little wanderlust, and we just wanted a new adventure,” says Amy Lynch on moving her family to Westport a few years ago after more than two decades in Brooklyn. “We fell in love with this little old house that was for-sale-by-owner. We loved its quirks and eccentricities. We both [Amy and her husband, Rummy] grew up in old houses with parents who are all about maintaining history [with] moms who had great eyes for decorating and color. Rummy’s dad was an architect and mine had an antiques store… We loved that it wasn’t your typical historic house, but we had to adhere to rules because it’s in a historic district.”
Neither Amy, the VP Brand Creative Director of American Eagle, nor Rummy have a formal design background. But they both have a keen eye and a love for the unexpected. They came into their relationship with a mishmash of midcentury pieces, artwork and antiques, plus a love of curation and the hunt. “We intentionally went into the house to make it 100 percent ours,” says Lynch. “I wanted it to feel like everything around me is meaningful.” They did light renovations, tweaking the flow just a bit but keeping all of the house’s quirkier elements—like a funky window and hand-built cabinets in the pass-through bar area—and adding a new entry that functions more as a mudroom for their two boys. They painted the entire space white and sanded the floors for a clean slate. “We wanted to live in it and see where the light hit before we made big decisions. We made it a very personal curation of stuff in all the rooms.”
The new entry is painted entirely in Farrow & Ball’s Studio Green. Two one-of-a-kind chairs—one looks like a pelican and one a rooster—from Holler & Squall fill up space and make a statement. “It’s a large space, so we needed to fill it up, and when you walk in it’s like a ‘whoa what are those?’ moment,” explains Lynch. Off the new entry is the former one (now the landing), where a pair of Lichtensteins, purchased by Rummy’s father, hang over a red modular Ikea table the couple has had for 20 years. “The prints are important to us because we remember them in Rummy’s house growing up, and we thought they’d be a big wow.”
Amy Lynch and her husband, Rummy, fell in love with a historic house in Westport because of its quirkiness. They added a new entry, which is painted in Farrow & Ball’s Studio Green. The Sputnik chandeliers are vintage. The carved chair is one-of-a-kind from Holler & Squall.
In the study, Hero, the family’s Boston Terrier, enjoys an Eames chair and ottoman that were restored and reupholstered in Maharam Steelcut Trio by Kvadrat in orange.
The powder room boasts a Schumacher remnant found in the attic of Rummy’s family beach house in Bridgehampton.
Ramsey Conder lighting fixtures illuminate the kitchen island; wall and cabinet paint is Farrow & Ball’s Railings.
In the dining room, the painting is by Ann Sklarin; the Original Bubble chandelier is through Pelle Designs.
An antique shelf holds a collection of Le Creuset.
In the living room, a green sofa from Anthropologie is complemented by chairs in a Josef Frank print. The coffee table was found at Hamptons Antique Galleries. The rug is from Annie Selke.
A French nursing chair (one of a pair) in the library is covered in Donghia’s Hamaca Rojo; the sailboat was handmade in Brooklyn to race in the Central Park boat basin.
The red Ikea parsons table on the landing is a modular piece the Lynches have had for 20 years. The Lichtenstein prints were purchased by Rummy’s father, and the hippo footstool from Scully & Scully was a wedding present.
The black quilted coverlet in the primary bedroom is from Clare V., the painting was found at Hamptons Antique Galleries, and the rug is from ABC Home’s Brooklyn Outlet.
Victoria & Albert’s Barcelona tub sports unlaquered brass faucets from California Faucets.
The spool bed in the younger son’s bedroom is Rummy’s dad’s childhood bed (one of a pair). The Butterfly sling chair is from Steel Canvas.
The formal living room is simple, but bold. “We wanted to blast that room with color,” says Lynch. A curved green sofa fits into the bow window. A pair of midcentury armchairs is covered in Josef Frank’s Hawaii print. “I have always loved Josef Frank, and my mom’s side of the family is Swedish. We fell in love with his pattern and the optimism of his prints. If you look around, you’ll see the house is connected with little touches of green.”
That touch of green explodes in the more-is-more dining room. Iconic banana leaf wallpaper covers the walls, and Pelle Designs’ Original Bubble chandelier hangs in the center of the room. Ward Bennett mohair velvet boardroom chairs found at auction surround the table. Explains Lynch, “The wallpaper was going to be in the new entry, but we did a last-minute switch. It felt more fun in the dining room, the whole room feels like it has weird-60s-vibe. Sometimes we just really go for it.”
She adds: “The house is a happy place, and a lot of that is because there is so much color and it’s such a high-low mix of things that nothing feels too precious. It’s a real good-time Charlie, I think. Color intrinsically makes people happy—that makes people relax and have a good time.”
