The First Monograph on Sonoma's Artful Oliver Ranch Chronicles its Inspired History
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1/5Bruce Nauman / Artists Rights Society (ARS), New York Photography © Fredrik NilsenFrom afar, Bruce Nauman’s Untitled, 1998–99, resembles a white ribbon drawn through the rolling landscape.Bruce Nauman / Artists Rights Society (ARS), New York Photography © Fredrik NilsenFrom afar, Bruce Nauman’s Untitled, 1998–99, resembles a white ribbon drawn through the rolling landscape.
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2/5Photo by Sean DeganThe title of the 12-part sculpture refers to rolls in a game of dice
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3/5Photography Fredrik NilsenStudies by Richard Serra for Snake Eyes and Boxcars in a notebook gifted to Steve Oliver.Photography Fredrik NilsenStudies by Richard Serra for Snake Eyes and Boxcars in a notebook gifted to Steve Oliver.
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4/5Photo by Alex FradkinHamilton’s models for the tower.
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5/5Photo by Sean DeganAnn Hamilton’s tower · Oliver Ranch (1994–2006) soars above the landscape to a height of 72 feet. The sculptural chamber has served as a performance space for music, dance, poetry, and other events.Photo by Sean DeganAnn Hamilton’s tower · Oliver Ranch (1994–2006) soars above the landscape to a height of 72 feet. The sculptural chamber has served as a performance space for music, dance, poetry, and other events.
