Walls Covered with Whimsy
Newcomers to the suburbs trade their neutral New York palette for ambitious color.
When the homeowner and her family were still living in a Manhattan apartment before moving to a Fairfield County house, she was aware that something was sorely lacking in her life. It wasn’t an existential issue. “I missed color,” she admits, referencing the nearly-all-white palette of their city dwelling. “New York has so much energy all by itself that having a monochromatic palette inside made sense there.” But upon relocating ful-time during the pandemic to what had been their weekend home, she wanted something more adventurous palette-wise. “I definitely wanted color. These shades we live with now are very uplifting.”
Blues and lavender, pinks and coral, greens and aqua were already filling the house prior to the pandemic when Jacksonville, Florida–based interior designer Andrew Howard had begun his work for the family. Once the lockdown came, he and his client could only meet nightly, online. “More texts, images and phone calls were exchanged between us than any other job I’ve had,” says Howard. “What made this collaboration so fulfilling is that she’s super stylish. It’s great to collaborate with clients when their ideas are good ones,” he says with humor. Half of the decorating project was completed during the pandemic.
Howard is as vibrant and inspiring a personality as his selected palette. He understands how to use color without any one shade overpowering another. One of his admitted secrets is to select a large-patterned wallpaper or to paint a busy mural onto a wall, then go small-scale with other fabrics. “I let the story of a bold wallpaper pattern be told one time in a room and not again on the fabrics,” he emphasizes. Choose a busy wallcovering with multiple colors and virtually anything else chosen for the room will likely be echoed in that prevailing pattern.
Howard came upon de Gournay’s romantic, classically inspired, Edenesque scene titled Paradise Lost and thought it perfect for the living room. The client visited the company’s showroom in New York to see it firsthand while Howard drove to the showroom in Atlanta. “The day we both saw the pattern, we called each other and said this was the one.” Paradise was found, and it prevails on the living room walls, around which are positioned multiple versions of blue—from the chandelier to the coffee table to the sectional. “There are two ways to bring a house to life,” Howard says with philosophical confidence, “either with good architectural elements like millwork and beams or with color and fun wallcoverings. There’s nothing fun or happy about drywall—wallpapers are fun.”
As for the white dining room walls, a muralist was commissioned to paint, in situ, blue flowers and fauna. As the work progressed, though, Howard kept standing back to take in the unfolding scene, insisting that more and more elements be added until the walls were dense with forms. “My three daughters love to find new little characters on the walls,” says the client, “beyond the birds and butterflies. We’ve found lizards. Likewise, the children love going into a powder room and finding animals on those walls. We’ve recently discovered monkeys and leopards.”
Despite his color confidence, Howard admits that working with two colors in a room is far easier than with three. But in the the primary bedroom he embraced a tripartite of hues. “Three colors is trickier because you have more values and shades of tone. My jumping off point with color in the bedroom began with the curtains, which allowed me to introduce lavender, as well as blues and greens.”
The client has become increasingly aware of experiencing her house through other peoples’ eyes. “You see their reaction to the colors,” she says. “Life in the suburbs is, after all, pretty quiet, but when you step through the door, you find drama inside. This doesn’t look like your typical suburban house.”
The print version of this article appears with the headline: Paradise Found.
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