
Photographs by Tria Giovan
Robbie Regina and Gene Kagan don’t do anything small. Together for 16 years, they got married six years ago at Grand Central Terminal. Both men are in the fashion biz: Regina is a partner in Almost Famous, and Kagan is a founder/co-owner of Lola & Sophie. They’re dads to two sons—Aiden, now 12, and Dylan, 10—and the family has a 15-year-old, 10-pound Havanese named Sophie. Their apartment in the city overlooks Washington Square, and until recently they had two vacation homes, one on Fire Island and one in Water Mill.
With the men’s sons getting older, however, the couple “decided to consolidate,” Regina recounts. “We sold both houses in order to build something that would have everything we wanted.” The ideal site: a two-acre plot in Water Mill with a 4,200-square-foot potato barn on it. Working with Sag Harbor–based architect Nicole Adams, Regina and Kagan started turning long-held ideas into plans.

Photographs by Tria Giovan
In the early stages, they were savvy enough to bring on their interior designer, too: Jay Jenkins of Jenkins Baer Associates, which is based in Baltimore. Because Jenkins was in on the project from the beginning, he was able to help the men decide on exterior finishes and set the overall tone of the structure. “They wanted a contemporary house, but with a certain level of warmth to it. We wrapped the exterior in horizontal boards of ipe, which weathers to a beautiful antique silver.”
Because Kagan and Regina love to entertain, the house had to be big enough to accommodate both friends of the dads and friends of the lads. The main house clocks in at 12,500 square feet on two stories. The dramatic entry through a glass-walled, double-height gabled volume is “a nod to the barn that stood there before,” says Jenkins.
Beyond the showstopping foyer lies a minimalist living room and another glass wall looking onto the pool and backyard. From this central point, the rest of the house splays out in two asymmetrical wings, including a sizable basement with a game room, a media room, and a gym. A separate spa, pool house, and tennis court are all artfully sited to keep the property from looking overbuilt. “The lot was big enough,” says Kagan, “but its odd shape made it a challenge to fit everything in.”
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Photographs by Tria Giovan
A 30-foot-high wall of glass in the barn-like central volume dominates the primary entry. The landscape design is by
Mario Nievera.
Photographs by Tria Giovan
A 30-foot-high wall of glass in the barn-like central volume dominates the primary entry. The landscape design is by
Mario Nievera.
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Photographs by Tria Giovan
Four antiqued-mirror panels hang above a black marble fireplace in the living room. The armchairs are by Kara Mann for
Baker and the artwork is by
Christopher Flach.
Photographs by Tria Giovan
Four antiqued-mirror panels hang above a black marble fireplace in the living room. The armchairs are by Kara Mann for
Baker and the artwork is by
Christopher Flach.
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Photographs by Tria Giovan
The kitchen comprises two custom islands, a breakfast area with a round concrete table from
Michael Dawkins, Fritz rope chairs from
Palecek, and
Siematic cabinetry.
Photographs by Tria Giovan
The kitchen comprises two custom islands, a breakfast area with a round concrete table from
Michael Dawkins, Fritz rope chairs from
Palecek, and
Siematic cabinetry.
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Photographs by Tria Giovan
The kitchen's full-figured light fixtures are from Baltimore-based
Jones Lighting.
Photographs by Tria Giovan
The kitchen's full-figured light fixtures are from Baltimore-based
Jones Lighting.
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Photographs by Tria Giovan
Three Cosmos fixtures from
Vibia hang above a set of Bolier chairs and a custom
Jay Jenkins–designed dining table, which can be reconfigured into three separate tables for even larger groups. The painting is by
Elise Caron and the wall sculpture is by
Roberta Schilling.
Photographs by Tria Giovan
Three Cosmos fixtures from
Vibia hang above a set of Bolier chairs and a custom
Jay Jenkins–designed dining table, which can be reconfigured into three separate tables for even larger groups. The painting is by
Elise Caron and the wall sculpture is by
Roberta Schilling.
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Photographs by Tria Giovan
On the second-floor landing, wall-mounted sculptures from
Global Views loom behind a nickel and marble table from
Bungalow 5.
Photographs by Tria Giovan
On the second-floor landing, wall-mounted sculptures from
Global Views loom behind a nickel and marble table from
Bungalow 5.
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Photographs by Tria Giovan
The serene primary bedroom suite is located on the second floor with an attached master bathroom.
Photographs by Tria Giovan
The serene primary bedroom suite is located on the second floor with an attached master bathroom.
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Photographs by Tria Giovan
The master bath features a back-to-back Calacatta marble vanities, a “floating” mirror, and a matte-finish
MTI soaking tub.
Photographs by Tria Giovan
The master bath features a back-to-back Calacatta marble vanities, a “floating” mirror, and a matte-finish
MTI soaking tub.
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Photographs by Tria Giovan
The master bath features a back-to-back Calacatta marble vanities, a “floating” mirror, and a matte-finish
MTI soaking tub.
Photographs by Tria Giovan
The master bath features a back-to-back Calacatta marble vanities, a “floating” mirror, and a matte-finish
MTI soaking tub.
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Photographs by Tria Giovan
A custom partners desk from
Chaddock occupies an adjacent sitting room.
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Photographs by Tria Giovan
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Photographs by Tria Giovan
The outdoor living room is sheathed in ipe wood and limestone.
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Photographs by Tria Giovan
An infinity-edge pool beckons behind the glass-walled double-height entry and living room.
Photographs by Tria Giovan
An infinity-edge pool beckons behind the glass-walled double-height entry and living room.
Accommodation was key, down to the nine bedrooms and 11 baths, which are often fully occupied. The contemporary dining room, normally set for 20, can host up to 30, thanks to a table Jenkins designed that reconfigures into three. The ample kitchen includes a breakfast table and two islands. “We actually made the kitchen bigger while we were building the place,” Regina says. “When the house was first framed, we realized the kitchen would not be sufficient.”
Like every successful collaboration, the clients and their designer were open to a little give and take. “When Jay first proposed the [pendant] lights in the dining room,” Regina recalls, “I didn’t think they’d work. But now they look like sculpture hanging from the ceiling.” And even the boys are “absolutely fine” with their new digs: “The home is kept nicely, but it’s not a museum—it’s really all about living.” Although Kagan jokes about a certain house rule. “Naturally,” he adds, “we discourage eating chocolate in the bedrooms.”
The print version of this article appeared with the headline: Chapter Two.
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