
Photographs by Keith Scott Morton and Eric Richards
Good shoppers are artists. To have watched interior designer Ronald Marshall and his client shopping together at Manhattan antiques stores was to have witnessed artists at work. “We’d go shopping for something we knew we needed for a room, perhaps a desk or a lighting fixture,” explains Marshall, “but every time we were in an antiques store and found that ‘thing’ we wanted, we were always surprised. What we’d envisioned in our mind beforehand was different than what we actually found—and what we found was usually better. When you go shopping and can pinpoint certain pieces and see them amid all the other stuff around, that’s an art.”
For this client and her husband, the art of shopping involved seeking a specific kind of art. So, it was only necessary that she embark on regular shopping expeditions with Marshall. Admittedly, lunch breaks were often not included.
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Photographs by Keith Scott Morton and Eric Richards
A move to a new home was the opportunity for a couple to fill the interiors with some of their Art Deco furnishings and accessories.
Photographs by Keith Scott Morton and Eric Richards
A move to a new home was the opportunity for a couple to fill the interiors with some of their Art Deco furnishings and accessories.
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Photographs by Keith Scott Morton and Eric Richards
A sculpture by Roy Leadbeater from
Avery & Dash Collections resides on a staircase landing. The stair is covered with a runner from
Stark, and the chair is upholstered with a Lee Jofa fabric.
Photographs by Keith Scott Morton and Eric Richards
A sculpture by Roy Leadbeater from
Avery & Dash Collections resides on a staircase landing. The stair is covered with a runner from
Stark, and the chair is upholstered with a Lee Jofa fabric.
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Photographs by Keith Scott Morton and Eric Richards
The living room is a decided mix of antiques and new furnishings. Elements in the room include a curved sofa from
Rose Tarlow, an area rug from
Tufenkian, and a pair of 1930s French chairs.
Photographs by Keith Scott Morton and Eric Richards
The living room is a decided mix of antiques and new furnishings. Elements in the room include a curved sofa from
Rose Tarlow, an area rug from
Tufenkian, and a pair of 1930s French chairs.
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Photographs by Keith Scott Morton and Eric Richards
The kitchen includes a pair of 1960s glass obelisks on a Lucite-and-glass console designed by Charles Hollis Jones. The ceiling light is through
Sapho Gallery. The McGuire chairs at the island are upholstered with fabric from
Clarence House.
Ann Sacks tiles create a colorful backsplash.
Photographs by Keith Scott Morton and Eric Richards
The kitchen includes a pair of 1960s glass obelisks on a Lucite-and-glass console designed by Charles Hollis Jones. The ceiling light is through
Sapho Gallery. The McGuire chairs at the island are upholstered with fabric from
Clarence House.
Ann Sacks tiles create a colorful backsplash.
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Photographs by Keith Scott Morton and Eric Richards
Photographs by Keith Scott Morton and Eric Richards
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Photographs by Keith Scott Morton and Eric Richards
An existing wall mural in the dining room is complemented by a mirror through
John Rosselli centered above a French 1930s sideboard with period lamps and accessories from
Sapho Gallery.
Photographs by Keith Scott Morton and Eric Richards
An existing wall mural in the dining room is complemented by a mirror through
John Rosselli centered above a French 1930s sideboard with period lamps and accessories from
Sapho Gallery.
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Photographs by Keith Scott Morton and Eric Richards
The home’s dedicated bar, situated near the screening room, has a backlit wall of onyx. Custom cabinetry is complemented by a ceiling light from
Sapho Gallery; the chairs wear a Lee Jofa fabric.
Photographs by Keith Scott Morton and Eric Richards
The home’s dedicated bar, situated near the screening room, has a backlit wall of onyx. Custom cabinetry is complemented by a ceiling light from
Sapho Gallery; the chairs wear a Lee Jofa fabric.
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Photographs by Keith Scott Morton and Eric Richards
A corner of the home office is furnished with a
Jean de Merry chair set on a boldly striped rug from
Tufenkian.
Photographs by Keith Scott Morton and Eric Richards
A corner of the home office is furnished with a
Jean de Merry chair set on a boldly striped rug from
Tufenkian.
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Photographs by Keith Scott Morton and Eric Richards
In the screening room, the console behind the sectional is from
J. Robert Scott, and the pair of ottomans are French 1950s upholstered in Lee Jofa fabric.
Photographs by Keith Scott Morton and Eric Richards
In the screening room, the console behind the sectional is from
J. Robert Scott, and the pair of ottomans are French 1950s upholstered in Lee Jofa fabric.
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Photographs by Keith Scott Morton and Eric Richards
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Photographs by Keith Scott Morton and Eric Richards
Photographs by Keith Scott Morton and Eric Richards
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Photographs by Keith Scott Morton and Eric Richards
The serene master bedroom features a dedicated seating area, defined by a Zoffany sofa upholstered with
JAB fabric; the bed is from
Christopher Guy; the rug is through
Orley Shabahang.
Photographs by Keith Scott Morton and Eric Richards
The serene master bedroom features a dedicated seating area, defined by a Zoffany sofa upholstered with
JAB fabric; the bed is from
Christopher Guy; the rug is through
Orley Shabahang.
With Marshall’s admiration of Art Deco, the client soon realized that she, too, embraced the style—in everything from armchairs to lighting fixtures. To add, her husband had been smitten with sculpted figures of women from the 1920s and ’30s for years. She refers to them as “my husband’s Art Deco girls.”
While the couple made architectural changes to the house on the exterior, they kept everything inside intact. The dining room, for instance, featured a wall fresco depicting a tranquil landscape. To literally jazz it up, Marshall found a faceted, jewel-like octagonal mirror. Over a sinuously-lined Deco cabinet, the mirror immediately transforms the traditional scene into something out of the Jazz Age.

Photographs by Keith Scott Morton and Eric Richards
For the kitchen, the client wanted a room that felt both more glamorous and homey at the same time. So, Marshall configured comfortable seating stools at the island, upholstering them in a Deco-inspired fabric from Clarence House. The designer also added a handsome lighting fixture from the late 1920s above. Colorful 1960s Murano glass vases serve as accent pieces to finish the space. The design reflects the clients liking for Modern objects from later decades perfectly.
Indicative of the rapport Marshall established with the client on their shopping trips, he surprised the couple with an abstract Art Deco sculpture. Upon their return from vacation, the surprise was waiting on a stairway landing. “The moment my husband and I got back from the trip and saw it, we thought the piece was fabulous,” says the client. “Exactly the right piece in exactly the right place. That’s what Ron does. He knows how to surprise me.”
The print version of this article appears with the headline: Period Perfect.
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